Recent Writing

Why Can’t Art Biennials Be Small?, ArtReview
What Drives the Enduring Popularity of Nancy Holt?, ArtReview
Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists, ArtReview
The 2026 Venice Biennale Is Quintessential Biennial Art, ArtReview
Whitney Biennial 2026 Review: The Revolution Will Be Cute, ArtReview (+ in ArtReview Japan)

Audio

ArtReview Podcast | Episode 6: Hyeree Ro (Listen on Spotify and YouTube)
ArtReview Podcast | Episode 2: Sarah Morris (Listen on Spotify and YouTube)
Untitled Edit - The Evolving Landscape of Art Writing. Presented by the Rabkin Foundation (Listen here)

Curatorial Projects

‘gmtc sessions’, New York, NY
‘Texts and Soundings’ at the NARS Foundation, Brooklyn, NY
‘Test Flights’ at the Lower East Side Printshop, New York, NY

‘Notes from New York’ Column (ArtReview)

The Art of War, 05.2026
The World in a Convex Mirror, 04.2026
Rotting Meat, 03.2026
Independent Study, 02.2026
Writing into Oblivion, 01.2026
Intimacy Post-#MeToo, 12.2025
Child’s Play, ArtReview, 11.2025
Art Critics and Gangster Capitalism, 09.2025
The Garden, 07.2025
Free Sample, 06.2025
Generic and Perfect, 05.2025
Inside Out, Outside In, 04.2025
Embrace the Anomaly, 03.2025
A Second Chance, 02.2025
All Together Now, 01.2025
A Day in the Life, 12.2024
Seeing in the Dark, 11.2024
Rest Not Radicalism, 10.2024
Makeshift Machines, 09.2024
Get Lost, 08.2024
Back to School, 07.2024
Group Shows, Everywhere, 06.2024
Barthes Fair, 05.2024

Writing (Archive)

Artist Maia Chao’s Anthropological Performances, The Amp
Eiko Otake and Wen Hui on ‘What is War,’, The Amp
‘Means of Production’ Exposes the Seams of Art and Commerce, The Amp
An Art Book with Teeth: Tammy Nguyen’s ‘O’, The Amp
Artist Bang Geul Han Charts Borders and Desire Lines, The Amp
‘Between Waves’ Dives Deep into Asia-Pacific History, The Amp
Frozen Time, Apartamento (the essay was later a runner-up in the 2024 Toni Beauchamp Prize in Critical Art Writing)
Lap-See Lam: The Lightness of History, Ars Fennica 2023 Award Catalog
Gary Simmons and the art of unearthing ugly American truths, Art Basel Magazine
Asian American Art Survey Teaches a Lesson in Allowing Identity to Reveal Itself, Art in America
Joan Jonas’s MoMA Retrospective Reveals the Enduring Influence of Japanese Culture on Her Work, Art in America
Microbes and Mushrooms Take a Star Turn in Bio Art Show at MIT, Art in America
Aria Dean: Abattoir, Art Monthly
Rirkrit Tiravanija: A Lot of People, Art Monthly
Alexis Blake: Crack Nerve Boogie Swerve, Art Monthly
Josh Kline: Project for a New American Century, Art Monthly
Atomic Terrain won’t stop at just one rose, Art21
Darren Bader at Matthew Brown, Artforum
Yuki Kimura at Jenny’s, Artforum
Best of 2025: The Critics’ Critics, Artforum
Wang Ye at YveYANG, Artforum
Alix Cléo Roubaud at Galerie Buchholz, Artforum
Geumhyung Jeong at Canal Projects, Artforum
Marlene McCarty and Donald Moffett at Alice Austen House, Artforum
Lionel Maunz at Bureau, Artforum
American Artist at Pioneer Works, Artforum
Jaime Pitarch at Spencer Brownstone, Artforum
Ann Zhao at Theta, Artforum
Miranda Fengyuan Zhang at Clearing, Artforum
‘Three Sides Enclosed’ at Ensemble, Artforum
Hannah Villiger at Meredith Rosen, Artforum
Diamond Stingily at 52 Walker, Artforum
Laura Letinsky at Yancey Richardson, Artforum
Openings: Hélène Fauquet, Artforum
Ann Greene Kelly at Chapter NY, Artforum
Sandra Cinto at Tanya Bonakdar Gallery, Artforum
Clémence de La Tour du Pin at Derosia, Artforum
Allison Miller at Susan Inglett Gallery, Artforum
Sahana Ramakrishnan at Fridman Gallery, Artforum
Misha Japanwala at Hannah Traore Gallery, Artforum
Himali Singh Soin: The quantum entanglement of all mountains, Artforum
Love, Melancholy, Anger, and Surprise: Asian Artists Explore the Emotional Side of AI, ARTnews
59th Carnegie International Review: The Action is Elsewhere, ArtReview
Art, Death, Duchamp, ArtReview
What ‘Costume Art’ Gets Wrong About the Body, ArtReview
‘Dog Days’ by Emily LaBarge, ArtReview
Appropriation Culture: Richard Prince and Arthur Jafa, ArtReview
The Lesser-Known Robert Rauschenberg, ArtReview
Inside Édouard Glissant’s Art Collection, ArtReview
Ava Woo Kaufman at Gordon Robichaux, ArtReview
On Hito Steyerl’s Medium Hot, ArtReview
Is the Artworld Intelligent?, ArtReview
Bagus Pandega’s Shrine to Experimentation, ArtReview Asia
The Lost City of Atlanta, ArtReview
Chicago Exhibition Weekend: Over Your Head, ArtReview
The Interview: Thelma Golden, ArtReview
Gaza Biennial 2025 Review: Defiance Amid Devastation, ArtReview
Ren Light Pan: The Violence of Visibility, ArtReview
Towards A World Of Reckless Abandon, ArtReview
How Kerry James Marshall Restored Black Figures to the Western Canon, ArtReview (+ in ArtReview Japan)
The Interview: Cauleen Smith, ArtReview
Stephanie Comilang: The Condition of the Diasporic Subject, ArtReview
The Orientalist Fantasy of Chinoiserie, ArtReview
Salman Toor’s Night Vision, ArtReview
Amy Sherald’s American Sublime – Sacred and Profane, ArtReview
Desert X 2025 Review: Morale Failure, ArtReview
Screen Memories of the Middle East, ArtReview
Sohrab Hura: Our Motherless Age, ArtReview
Mark Leckey’s New Dark World, ArtReview
Plain Sight: How Do We Preserve Public Art?, ArtReview
PST ART: Making a Name for LA, ArtReview
The Interview: Josh Kline, ArtReview
Widening the Lens: A Corrective for Landscape Photography, ArtReview
Catalina Ouyang at Lyles & King, ArtReview
‘The Harlem Renaissance and Transatlantic Modernism’ Review: Centre and Margin, ArtReview
Whitney Biennial 2024 Review: Baby Steps, ArtReview
Louis Osmosis’s Sad America, ArtReview
The Interview: Yto Barrada, ArtReview
Thomas Hirschhorn’s Philosophical War, ArtReview
Helen Marten’s Waste Land, ArtReview
Suchitra Mattai’s Perfect Future, ArtReview
cameron clayborn: No Trespassing, ArtReview
Rosha Yaghmai’s Nowhere Gardens, ArtReview
The Art of ‘A Little Digital Death’, ArtReview
Édgar Calel’s Scattered Secular Rituals, ArtReview
The Rogue Signals of Half a Century of Video Art, ArtReview
Ming Smith’s Radical Intuition, ArtReview
Nina Katchadourian’s Research and Play, ArtReview
5 Asian American–Led Galleries Building Inclusive Art Communities, Artsy
P.P.O.W’s Four Decades of Courage and Compassion in the Face of Crisis, Artsy
How Kates-Ferri Projects Turned a Love Story into a Thriving Lower East Side Gallery, Artsy
Prisoner of Love: On João Gilberto Noll’s ‘Hugs and Cuddles’, Astra
‘Concerning My Daughter’ by Kim Hye-jin, Asymptote
‘Harmada’ by João Gilberto Noll, Asymptote
Vincent Cy Chen by Jenny Wu, BOMB
Lap-See Lam Interviewed, BOMB
Hannah Wilke: Art for Life’s Sake, BOMB
Sharing Drafts: Joeun Kim Aatchim Interviewed, BOMB
Ice (Fiction), BOMB
Circulation as Critique: Guanyu Xu’s Itinerant Images, Bridge Magazine
Penny Slinger’s An Exorcism: A Photo Romance, The Brooklyn Rail
In Practice: Covey Gong, The Brooklyn Rail
Peter Schjeldahl‘s The Art of Dying, The Brooklyn Rail
Graham Little, The Brooklyn Rail
Maggie Nelson’s Like Love: Essays and Conversations, The Brooklyn Rail
Lorenza Longhi: World of Yum Yum, The Brooklyn Rail
Bringing Worlds Together: A Rethinking Residencies Reader, The Brooklyn Rail
Out of Bounds: Japanese Women Artists in Fluxus, The Brooklyn Rail
Gego: Measuring Infinity, The Brooklyn Rail
Carla Zaccagnini: Cuentos de cuentas, The Brooklyn Rail
Cyberfeminism Index, The Brooklyn Rail
Visible: Text + Image, The Brooklyn Rail
“Point Reflection” — Aki Sasamoto, C Magazine
On Miranda Fengyuan Zhang, Capsule Shanghai (press release)
Collective Memory and Coded Histories at the 60th Venice Biennale, Carla
Jesse Stecklow at Dracula's Revenge, Carla
The haptic intelligence of Ruth Asawa, Christie’s
The Critic-Comptroller: On Renee Gladman’s Solo Show at Artists Space, Cleveland Review of Books
On Aki Goto, Desnivel Gallery (press release)
Y. Malik Jalal’s ‘Break Neck Speeds’, e-flux (+ in e-flux Index #7)
Eva Gold’s ‘Shadow Lands’ at Silke Lindner, e-flux (+ in e-flux Index #3)
Mit Jai Inn at Silverlens, e-flux (+ in e-flux Index #1)
A Long View of What is Near: The Place-Based Work of PSA, Harp & Altar
The Promiscuity of Order: Literally means collapse at SculptureCenter, Harp & Altar
All Too Human, Michael Joo’s Evolving Forms, Harper’s Bazaar Korea
‘Hit Parade of Tears’ by Izumi Suzuki, Harvard Review
Doc 117, Interlude Docs
Michael Joo’s Noospheric (Trans-Alaska JWJ), Island Press New Editions
‘Lyn Liu: H-Dropping’, Kasmin (catalogue essay) (+ in The Kasmin Review)
A New Hong Kong Cinema That Lives On: On Tiffany Sia’s ‘On and Off-Screen Imaginaries’, The Los Angeles Review of Books
Sincerely Paranoid: On Catherine Lacey’s ‘Biography of X’, The Los Angeles Review of Books
Possibly Related Characters: On Li Zi Shu’s ‘The Age of Goodbyes’, The Los Angeles Review of Books
Was It a Betrayal?: On Kate Zambreno’s ‘To Write as if Already Dead’, The Los Angeles Review of Books
Chamber Music, in ‘lunares’ by Hyeree Ro
‘On Chason Matthams’, Magenta Plains (catalogue essay)
Life Without Style, MAP Magazine
Parallel Play, MAP Magazine
Trust Exercise: Stine Marie Jacobsen’s Group-Think Rewrites Protocols of Protest and Consent, MARCH: a journal of art & strategy
For Kate Zambreno, Playthings Are Profound, The Millions
Elder Care: On Alexandra Chang’s ‘Tomb Sweeping’, The Millions
Getting Ahead: On Emma Cline’s ‘The Guest’, The Millions
A Year in Reading, The Millions
The Shape of Thought: On Emily Hall’s ‘The Longcut’, The Millions
Tangled Muses: On Chelsea Martin’s ‘Tell Me I’m an Artist’, The Millions
Through the Looking Glass: Distortion and the Fantasy of a Feminist Nude, Momus
Portrait of the Artist as a Young Thief, Momus
Solitary: Collective Authorship and its Discontents, Momus
On Peggy Ahwesh at Microscope Gallery, Mutt Art Review
She Left the City for Suburbia and Settled Down. Then the Haunting Began, The New York Times
An Art World Satire Invokes a (Literal) Ghost, The New York Times
The Loneliness, and Danger, of Being a Young Woman in a New City, The New York Times
What I Learned When I Started Using Rogaine, The New York Times
MDMA, Hexagons and History: Inside the Mind of Alice Wang, Ocula
The Long Journey Preceding Paradise: On The Sojourn and A Stone’s Throw, Open City Texts
Soft Power, Untitled Edit
The internet is changing how we see art. Maybe that’s okay, The Washington Post
The tragic exploitation that puts food on our plates, The Washington Post
A furious, joyful memoir of working-class New Jersey and the writing life, The Washington Post
Ambition is the antihero in ‘Central Places’, The Washington Post
Chan is Missing (1982), wig-wag zine (personal essay)
Organic Intellectuals, X-TRA